March is a journal of art & strategy.

Caitlin Berrigan

Caitlin Berrigan works across performance, video, sculpture and text to engage with the intimate and embodied dimensions of power, politics and capitalism. Her early works from 2006-2010 addressed viruses, spatial choreographies of contagion, medicine, and care. Her recent work, Imaginary Explosions was part of the Berlinale Forum Expanded exhibition (2020), the subject of a solo show at Art in General, New York (2019), and an artist’s book with Broken Dimanche Press, Berlin (2018). Her work has been shown at the Whitney Museum, Poetry Project, Henry Art Gallery, Harvard Carpenter Center, Anthology Film Archives, and UnionDocs, among others. She has received grants and residencies from the Humboldt Foundation, Skowhegan, Graham Foundation, and Akademie Schloss Solitude. She holds a Master’s in visual art from MIT and a B.A. from Hampshire College. She taught emerging media full-time at NYU Tisch and is a Visiting Professor at Bard College Berlin. She is an artist, writer, and researcher affiliated with the Academy of Fine Arts in Vienna and NYU Technology, Culture and Society.

Atmospheres of the Undead: living with viruses, loneliness, and neoliberalism

Caitlin Berrigan narrates how living with a virus reveals the structural inequalities of profit-oriented biomedicine.