March is a journal of art & strategy.

Gelare Khoshgozaran

Gelare Khoshgozaran is an undisciplinary artist and writer who, in 2009 was transplanted from street protests in a city of four seasons to the windowless rooms of the University of Southern California where aesthetics and politics were discussed in endless summers. Her work has been presented in solo and group exhibitions at the New Museum, Queens Museum, Hammer Museum, LAXART, Human Resources, Visitor Welcome Center, Articule (Montreal), Beursschouwburg (Brussels), Pori Art Museum (Finland) and Yarat Contemporary Art Space (Baku, Azerbaijan). She was the recipient of a Creative Capital | Andy Warhol Foundation Arts Writers Grant (2015), an Art Matters Award (2017), the Louis Comfort Tiffany Foundation Award (2019), and the Graham Foundation Award (2020). Her essays and interviews have been published and are forthcoming in contemptorary (co-founding editor), The Brooklyn Rail, Parkett, X-TRA, The Enemy, Art Practical, Ajam Media Collective, The LA Review of Books and Temporary Art Review, among others.

October, November and March: How has the weather changed? part 1

Held online December 12, 2020, this roundtable discussion on “art & strategy” brought together perspectives from Nora N. Khan, Serubiri Moses, Zoé Samudzi, Andrea Steves, MARCH founders Sarrita Hunn and James McAnally, and was moderated by Gelare Khoshgozaran with Human Resources (and thanks to Hugo Servantes) in Los Angeles.

A Syllabus for Antifascist Cinema (part I)

It is a difficult task to learn how to debunk the myth of ‘protection’ promised by policing, militarization, concrete national borders and governance by finance when our education system operates under the same structures. The emergence of a subject capable of refusing these terms is a primary task of antifascism.