MARCH is a journal of art & strategy.
MARCH embraces publishing as an act of protest with which to address the critical social and political issues of our time. MARCH emerges at a moment of deepening institutional crisis and is intent on advancing new forms of publication, critique and public action. We are a partisan publication. We initiate, articulate, advance and defend prefigurative ideas about what art is, could and should be. We believe in the latent potential critique carries to transform our art worlds, our institutions, our means of expression and experimentation, as well as ourselves. We are con-temporary, with and of our time – an archive of the present and proposition for a future in which our ideas, actions and form embody this insurrection.
MARCH is a journal of art & strategy.
MARCH embraces publishing as an act of protest to address the critical social and political issues of our time. MARCH emerges at a moment of deepening institutional crisis and is intent on advancing new forms of publication, critique, and public action. We are a partisan publication: we initiate, articulate, advance, and defend prefigurative ideas about what art is, could and should be. We believe in the latent potential critique carries to transform our art worlds, our institutions, our means of expression and experimentation, and ourselves. We are con-temporary, with and in our time – an archive of the present and proposition towards the future – where our ideas, actions and form embodies this insurrection.
MARCH will feature print editions alongside an active online platform commissioning essays, interviews, and experimental critical writing with a global perspective. MARCH is founded by Sarrita Hunn and James McAnally as an expansion of their previous publication, Temporary Art Review. MARCH’s identity and design is being developed by our long-time collaborator Haynes Riley.
Editorial Research Group: Nihaal Faizal, Ina Hagen, Renan Laru-an, Serubiri Moses, Anthony Romero, Sumugan Sivanesan, Tereza Stejskalová, and Andrea Steves
Advisory Board: Taylor Renee Aldridge, Chloë Bass, Viviana Checchia, Binna Choi, Rhea Dall, Anne Ellegood, Mela Dávila Freire, Gelare Khoshgozaran, Prem Krishnamurthy, Jessica Lynne, Warren Neidich, Dushko Petrovich, Eriola Pira, Anna Santomauro, Paul Schmelzer, Stephanie Smith, Jonas Staal, Cara Starke, and Dmitri Vilensky
Our inaugural print edition will occupy the first issue of October in form and purview, offering a revision of the journal’s original stated mission to propose “radical departures articulating the historical movement which enclosed them.”
Support this emerging project on Patreon by pre-ordering our first edition to be released October 2020.
Dispatches
MARCH will feature print editions alongside an active online platform commissioning essays, interviews, and experimental critical writing with a global perspective. MARCH is founded by Sarrita Hunn and James McAnally as an expansion of their previous publication, Temporary Art Review. MARCH’s identity and design is being developed by our long-time collaborator Haynes Riley.
Editorial Research Group: Nihaal Faizal, Ina Hagen, Renan Laru-an, Serubiri Moses, Anthony Romero, Sumugan Sivanesan, Tereza Stejskalová, and Andrea Steves
Advisory Board: Taylor Renee Aldridge, Chloë Bass, Viviana Checchia, Binna Choi, Rhea Dall, Anne Ellegood, Mela Dávila Freire, Gelare Khoshgozaran, Prem Krishnamurthy, Jessica Lynne, Warren Neidich, Dushko Petrovich, Eriola Pira, Anna Santomauro, Paul Schmelzer, Stephanie Smith, Jonas Staal, Cara Starke, and Dmitri Vilensky
Our inaugural print edition will occupy the first issue of October in form and purview, offering a revision of the journal’s original stated mission to propose “radical departures articulating the historical movement which enclosed them.”
Support this emerging project on Patreon by pre-ordering our first edition to be released October 2020.