From Multidirectional Memory to Multidirectional Moments (MDM) explores the “promises” of noncompetitive and transversally connected “multidirectional memory” in memorial practices.
Triennials Out of Time is a series of short essays and interviews featuring artistic directors and curators of cyclical exhibitions including Counterpublic 2023, documenta fifteen, Biennial Sesc_Videobrasil, OFF-Biennale Budapest and Matter of Art, and more to be announced.
In this fourth conversation, Prem Krishnamurthy, Artistic Director for FRONT International 2022, speaks with Zippora Elders, Co-Curator of sonsbeek20→24, about the pros and cons of curating large-scale cyclical exhibitions.
In this third Triennials Out of Time conversation, Tereza Stejskalová (Matter of Art) speaks with curators Nikolett Eross, Hajnalka Somogyi, and Eszter Szakács of OFF-Biennale Budapest about the different meanings of the word “biennial” in the Central and Eastern European context.
In this second Triennials Out of Time conversation, 22nd Biennial Sesc_Videobrasil guest curators Raphael Fonseca and Renée Akitelek Mboya speak with Solange Farkas, Artistic Director of the festival and biennial Sesc_Videobrasil since its first edition in 1983.
In this first Triennials Out of Time conversation, Counterpublic 2023 Artistic and Executive Director James McAnally speaks with farid rakun of ruangrupa, Artistic Directors of documenta fifteen.
Do you remember when we said we were going to s l o w d o w n ? When we imagined that we would take this opportunity to |stop| ? To reimagine the art world, and our role in it? Did you? Did we?
We are pleased to announce a call for proposals for From Multidirectional Memory to Multidirectional Moments (MDM), a new long-term inquiry exploring the “promises” of noncompetitive and transversally connected “multidirectional memory” in memorial practices.
To attend to transversal change is to attend to transformational methods – to ways of relating that are not accounted for by the current order.
Etherpad, a free and open-source collaborative live text editor, combines the minimal comfort of plain-text writing with the collective experience of writing with others.
Claire Louise Staunton reflects on her involvement with Giant Step, a multi-year program organized by Vessel from 2011 to 2012 that aimed to develop the concept of an “ideal” institution.
Constant’s recent worksession, Techno-Cul-de-Sac, proposed a collective encounter with Brussels via an investigation of zoning, infrastructure, and technology, bringing together artists, architects, and urban researchers.
Within the context of Vessel’s Radio Materiality project, iTuneZ was imagined as a direct gesture to point out an extra-legal space to listen to what migrants play for comfort.
Tirdad Zolghadr reflects on his experience attending Vessel’s 2015 International Curatorial Workshop (ICW) in Bari, Italy.
Vessel is a nomadic curatorial organization and agency invested in supporting artistic and curatorial practices that are situated, responsive, and research-led.
Building on our recent Conversations on Sound and Power, we are pleased to announce “Sound, Power and Culture,” a winter study group organized Josh Rios in January 2023.
We are pleased to announce the launch of “From Multidirectional Memory to Multidirectional Moments,” a new long term inquiry organized with the department of Artistic Strategies at the University of Applied Arts in Vienna. A launch event “Loops, Multiplication & Remembrance,” will take place on November 16th.
Sandra de la Loza’s research-based practice investigates the under layers of our present landscape to open portals and envision future worlds through collective memory and political imagination.
We are pleased to announce Parsa Sanjana Sajid’s contribution to MARCH 01, “Dhaka Art Summit: Cultural Capital and the Long Tail of Colonial Time,” has been included in Perennial Biennial’s newest publication Local Perspectives on a Global Format.
Values & Practices is a collectively sourced and living set of agreements. This inaugural iteration invites those of us who gather through the Center for Liberatory Practice & Poetry to ground ourselves in our visions for autonomous and liberated communities.
Given that protests are multivalent and culturally specific, we ask: What were the political and, more importantly, the sentimental objectives of performances staged by subjects-in-revolt in Colombia and Palestine in spring 2021?