MARCH is a journal of art & strategy founded by Sarrita Hunn and James McAnally.
How can artistic strategies help us to develop durable and meaningful infrastructures that support social formations beyond the timescales of the immediate moment, project timeline, or crisis?
This essay continues from Counter-Infrastructures, part 1.
Introduction for Tools for Radical Study: A Collection of Manuals by editors KUNCI Study Forum & Collective.
MARCH is pleased to announce its third print edition Tools for Radical Study: A Collection of Manuals, edited by KUNCI Study Forum & Collective and designed by Celcea Tifani and Tasia Loekito.
Georgia Holz and Stephanie Misa discuss the Austrian Association of Wom*n Artists (VBKÖ)’s controversial history and how its archive has become a site for speculative methods that explore convergent and divergent – and at times haunting – histories within the association.
AMA y No Olvida (Love and Do Not Forget), Memory Museum Against Impunity was created in collaboration with the Mothers of April Association (Asociación Madres de Abril or AMA, which also translates to “love”), the Nicaraguan Center for Human Rights (CENIDH), and the Nicaraguan Academy of Sciences, in search of truth, justice, and integral reparations that unites and represents mothers and relatives of the people assassinated by the state repression in Nicaragua since 2018.
Using an empty train station in Lungitz, Austria as a central meeting point, the site-specific group exhibition Giveaways / Hideaways approached the building by asking how an invisible, violent, and uncomfortable history could both be expressed and then carried away from it.
First written as a performative site-specific response in 2019, Lyónn Wolf has invited researcher and author Tyan Fritschy to converse with “Libidinous Memorial Flag for Peter Clemens” through their own reflections, riffs, and concerns.
A non-exhaustive curation of Palestinian poetry, prose, artwork, archival documents, oral testimonies, and documentation of the Palestinian grassroots liberation movement(s) by a totally exhausted Palestinian curator.