MARCH

Introducing Art of Internationalism

MARCH: a journal of art & strategy is pleased to endorse Progressive International’s new platform, Art of Internationalism, to explore the role of art and culture in imagining and shaping 21st century internationalism.

Announcing MARCH 02 + Call for Contributions

We are pleased to announce the next issue of MARCH will be edited by Imani Jacqueline Brown, an artist, activist, and researcher from New Orleans whose work investigates the continuum of Extractivism, from settler-colonial genocide and slavery to contemporary gentrification, fossil fuel production, and police and corporate impunity.

Black Ecologies: an opening, an offering

“In what I am calling the weather, antiblackness is pervasive as climate. The weather necessitates changeability and improvisation; it is the atmospheric condition of time and place; it produces new ecologies.” – Christina Sharpe

October, November and March: How has the weather changed? part 1

Held online December 12, 2020, this roundtable discussion on “art & strategy” brought together perspectives from Nora N. Khan, Serubiri Moses, Zoé Samudzi, Andrea Steves, MARCH founders Sarrita Hunn and James McAnally, and was moderated by Gelare Khoshgozaran with Human Resources (and thanks to Hugo Servantes) in Los Angeles.

October, November and March: How has the weather changed? part 2

Can publication (the act of making public) be an act of protest (public making)?

Dark Study: Within, Below and Alongside

“How much of the academy’s libidinal political economy is predicated on the fantasy of a livable (individual) intellectual life?” – Fred Moten and Stefano Harney

Infinity Factory: On Isiah Medina’s Inventing the Future (2020)

Filmmaker Isiah Medina’s adaptation of Nick Srnicek and Alex Williams’s 2015 manifesto (of the same title) prefigures the emancipation of our time in a post-work future.

Dude, where’s my 22nd century? – On the Burnout of Future Images

An overlap between the experience of temporality in the contemporary condition of burnout and time-flow in relation to social change has emerged.

Collage as a Way of Living

The illusion of stepping with ease from one frame to another was shattered last March by the pandemic. The collage of life is a constantly changing composition.

Distribution Partner: Reliable Copy

We are pleased to announce our distribution collaboration with Reliable Copy, an independent, non-profit publishing house dedicated to the realization and circulation of works, projects and writing by artists based in Bangalore, India.

To celebrate this partnership, all Subscription Members who have joined by the end of February will receive both MARCH 01 and Reliable Copy’s newest publication, The 1Shanthiroad Cookbook.

Reliable Display Copy Distribute: Elastic Maneuverings

Nihaal Faizal and Elaine W. Ho discuss their artist-run publishing strategies operating Reliable Copy in Bangalore, India and Display Distribute in Kowloon, Hong Kong.

Critic in Crisis

The critic is a conscript and this is the draft.

Virtual Eyes: Art Criticism in the Online Gallery

Anuradha Vikram reviews two of the best online exhibitions based in Los Angeles during the 2020 pandemic while assessing the limits and possibilities of this changed terrain.

October, November and MARCH: How Has the Weather Changed?

A Roundtable Discussion on Art & Strategy
Saturday, December 12 @ 1PM PST/4pm EST/9pm GMT

The conversation brings together perspectives from Nora N. Khan, Serubiri Moses, Zoé Samudzi, Andrea Steves, MARCH founders Sarrita Hunn and James McAnally, and is moderated by Gelare Khoshgozaran with Human Resources for the occasion of MARCH: a journal of art & strategy’s inaugural print edition.

From “Our House is on Fire” to Climate Justice Code Burnout

Valentina Vella reports back from Casco Art Institute: Working for the Commons’ second annual assembly “Our House is On Fire” (2019) and Climate Justice Code work ahead of their third assembly “We Owe Each Other Everything” that will take a new format online December 11-12, 2020.